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<td>exhibitions
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<td>giugno 2013<!--data-->
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<td>giugno 2013<!--data-->
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KÖPFE UND: UN ALTRO MODO DI RITRARRE<!--title-->
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CACT centro arte contemporanea ticino _ bellinzona (CH)
artisti _ eva aeppli, katia bassanini, selina baumann, giona bernardi, martin disler, david hockney, andrea la rocca, mustafa sabbagh, valter luca signorile, stéphane zaech, christian zucconi
cura _ mario casanova
Tema già più volte sollevato, l'idea di Modernità - nella società contemporanea e nelle sue inter(sec)azioni sociali e politiche - attraversa ora la sua crisi d'identità. Cultura e processo di civilizzazione non sembrano essersi sviluppate in maniera proporzionalmente parallela, e, nell'ambito artistico, il concetto globale e universale di matrice illuminista ha massificato sapere e conoscenza.
Nel tentativo di creare una società attiva, crescita smisurata e sproporzionata, consumismo per tutti e a troppi livelli hanno indotto, tra gli altri, verso una società estetica, anziché riflettere su di un'estetica della società.
KÖPFE UND: UN ALTRO MODO DI RITRARRE, affronta in maniera dura e pura la figurazione dalla radice espressiva. Gli artisti sono tanti e di estrazione diversa; una configurazione di tre autori storicizzati (Aeppli, Disler, Hockney) sono affiancati da autori la cui importanza riposa proprio nel rappresentare il crinale del cambiamento verso una società solo apparentemente confusa, ma da molti punti di vista più forte, libera e consapevole.
This is a topic that has already been raised on several occasions: the idea of Modernity in contemporary society and its social and political intersections/interactions is now experiencing an identity crisis. Culture and the process of civilisation do not seem to have developed in a parallel proportion, while – on the art scene – the global, universal concept inherited from the enlightenment matrix has mainstreamed knowledge and eruditon.
In the attempt to create an active society, unfettered, disproportionate growth and consumerism for all – and at too many levels – have led us, among other things, towards an aesthetic society instead of towards pondering on the need for an aesthetic for society.
KÖPFE UND: ANOTHER WAY OF PORTRYAING, adopts a hard, uncompromising approach to figuring with an expressive matrix. There is a larger number of artists here, from different backgrounds: a core of three established artists (Aeppli, Disler and Hockney) is accompanied by younger peers, whose importance comes from their ability to represent the crest of the wave of change towards a society that is only apparently confused, but from many vantage points stronger, freer and more aware.
<br />
CACT centro arte contemporanea ticino _ bellinzona (CH)
artisti _ eva aeppli, katia bassanini, selina baumann, giona bernardi, martin disler, david hockney, andrea la rocca, mustafa sabbagh, valter luca signorile, stéphane zaech, christian zucconi
cura _ mario casanova
Tema già più volte sollevato, l'idea di Modernità - nella società contemporanea e nelle sue inter(sec)azioni sociali e politiche - attraversa ora la sua crisi d'identità. Cultura e processo di civilizzazione non sembrano essersi sviluppate in maniera proporzionalmente parallela, e, nell'ambito artistico, il concetto globale e universale di matrice illuminista ha massificato sapere e conoscenza.
Nel tentativo di creare una società attiva, crescita smisurata e sproporzionata, consumismo per tutti e a troppi livelli hanno indotto, tra gli altri, verso una società estetica, anziché riflettere su di un'estetica della società.
KÖPFE UND: UN ALTRO MODO DI RITRARRE, affronta in maniera dura e pura la figurazione dalla radice espressiva. Gli artisti sono tanti e di estrazione diversa; una configurazione di tre autori storicizzati (Aeppli, Disler, Hockney) sono affiancati da autori la cui importanza riposa proprio nel rappresentare il crinale del cambiamento verso una società solo apparentemente confusa, ma da molti punti di vista più forte, libera e consapevole.
This is a topic that has already been raised on several occasions: the idea of Modernity in contemporary society and its social and political intersections/interactions is now experiencing an identity crisis. Culture and the process of civilisation do not seem to have developed in a parallel proportion, while – on the art scene – the global, universal concept inherited from the enlightenment matrix has mainstreamed knowledge and eruditon.
In the attempt to create an active society, unfettered, disproportionate growth and consumerism for all – and at too many levels – have led us, among other things, towards an aesthetic society instead of towards pondering on the need for an aesthetic for society.
KÖPFE UND: ANOTHER WAY OF PORTRYAING, adopts a hard, uncompromising approach to figuring with an expressive matrix. There is a larger number of artists here, from different backgrounds: a core of three established artists (Aeppli, Disler and Hockney) is accompanied by younger peers, whose importance comes from their ability to represent the crest of the wave of change towards a society that is only apparently confused, but from many vantage points stronger, freer and more aware.
<img src="file:///Works/Mustafa Sabbagh/Exhibitions/photo_preview.jpg" width="900px" height="645px" />
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