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<td>exhibitions
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<td>exhibitions
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<td>ottobre 2010<!--data-->
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ABOUT SKIN<!--title-->
<br />
vice italia headquarters _ milano
guest _ collettivO cineticO
mustafa sabbagh non può sottrarsi alla molteplicità dei soggetti in questione, spaziando dai ritratti alle istantanee, dai cieli ai mari, dalle nature morte alle figure mitologiche.
se, tuttavia, l'osservatore è esperto in tecniche fotografiche, egli o ella noterà immediatamente, nel lavoro di sabbagh, il talento di un artista nel padroneggiare l'obiettivo e nel disporre luce ed ombra, al fine di ottenere sempre quel preciso effetto singolare, che primeggia esso stesso come la firma del Maestro in fondo ad ogni opera.
se, poi, l'osservatore è un erudito, un amante delle citazioni, egli o ella non potrà trattenersi dal dire che la foto del ragazzo sulla riva del fiume in intimo si accorda perfettamente con una poesia di penna: “trovato ho il mio angioletto… / fumava un sigaretto / e gli occhi lustri avea”.
se, infine, l'osservatore è una persona come me, vecchio amico di mustafa che conosce bene il suo carattere, egli o ella dirà immediatamente che ognuno dei suoi lavori si strugge dal desiderio di vita, e che le sue foto di cieli neri, di figure sofferenti, imbavagliate, bendate, impiccate sono tutte metafore dello stesso prometeo che, anche sotto tortura, rivolge “l'occhio alto a sfidar le stelle”, che sa ridere e deridere la follia ed il dolore - inseparabili compagni di ogni esistenza - come rivelano i suoi fauni danzanti, e le sue nere veneri callipigie dai fianchi larghi.
roberto gilli
mustafa sabbagh cannot escape from the multiplicity of treated subjects, ranging from portraits to snapshots, from skies to sea scenes, from still lifes to mythological figures.
if, however, the observer were an expert in photograph techniques, he or she would immediately single out in sabbagh's work the talent of an artist in handling the lens and in disposing shadow and light, so as to always obtain that certain singular effect, which advances itself as the master's signature at the bottom of each work.
if, then, the observer were an erudite, a lover of quotations, he or she could not withhold from saying that the photo of the boy in underwear on the river shore fits well with a poem by penna: “trovato ho il mio angioletto… / fumava un sigaretto / e gli occhi lustri avea”.
if, finally, the observer were a person who, just as I am an old friend of mustafa and I know his personality, he or she would immediately say that each of his works yearns for life and that his photos of dark skies, suffering, gagged, blindfolded or even hanging figures are all representations of an identical prometheus who, though in torture, turns his “l'occhio alto a sfidar le stelle” and who knows how to laugh and mock madness and pain - the inseparable companions of each human life - as his dancing fawns and black venuses with large kallipygos buttocks show.
roberto gilli
<br />
vice italia headquarters _ milano
guest _ collettivO cineticO
mustafa sabbagh non può sottrarsi alla molteplicità dei soggetti in questione, spaziando dai ritratti alle istantanee, dai cieli ai mari, dalle nature morte alle figure mitologiche.
se, tuttavia, l'osservatore è esperto in tecniche fotografiche, egli o ella noterà immediatamente, nel lavoro di sabbagh, il talento di un artista nel padroneggiare l'obiettivo e nel disporre luce ed ombra, al fine di ottenere sempre quel preciso effetto singolare, che primeggia esso stesso come la firma del Maestro in fondo ad ogni opera.
se, poi, l'osservatore è un erudito, un amante delle citazioni, egli o ella non potrà trattenersi dal dire che la foto del ragazzo sulla riva del fiume in intimo si accorda perfettamente con una poesia di penna: “trovato ho il mio angioletto… / fumava un sigaretto / e gli occhi lustri avea”.
se, infine, l'osservatore è una persona come me, vecchio amico di mustafa che conosce bene il suo carattere, egli o ella dirà immediatamente che ognuno dei suoi lavori si strugge dal desiderio di vita, e che le sue foto di cieli neri, di figure sofferenti, imbavagliate, bendate, impiccate sono tutte metafore dello stesso prometeo che, anche sotto tortura, rivolge “l'occhio alto a sfidar le stelle”, che sa ridere e deridere la follia ed il dolore - inseparabili compagni di ogni esistenza - come rivelano i suoi fauni danzanti, e le sue nere veneri callipigie dai fianchi larghi.
roberto gilli
mustafa sabbagh cannot escape from the multiplicity of treated subjects, ranging from portraits to snapshots, from skies to sea scenes, from still lifes to mythological figures.
if, however, the observer were an expert in photograph techniques, he or she would immediately single out in sabbagh's work the talent of an artist in handling the lens and in disposing shadow and light, so as to always obtain that certain singular effect, which advances itself as the master's signature at the bottom of each work.
if, then, the observer were an erudite, a lover of quotations, he or she could not withhold from saying that the photo of the boy in underwear on the river shore fits well with a poem by penna: “trovato ho il mio angioletto… / fumava un sigaretto / e gli occhi lustri avea”.
if, finally, the observer were a person who, just as I am an old friend of mustafa and I know his personality, he or she would immediately say that each of his works yearns for life and that his photos of dark skies, suffering, gagged, blindfolded or even hanging figures are all representations of an identical prometheus who, though in torture, turns his “l'occhio alto a sfidar le stelle” and who knows how to laugh and mock madness and pain - the inseparable companions of each human life - as his dancing fawns and black venuses with large kallipygos buttocks show.
roberto gilli
<img src="file:///Works/Mustafa Sabbagh/Exhibitions/photo_preview.jpg" width="900px" height="645px" />
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33 in the legal definition of the term.
34
35 All photographs appearing on the - mustafasabbagh.com - web site are copyrighted and protected under international copyright laws.
36 The images may not be reproduced in any form, stored, or manipulated without prior written permission from - MUSTAFA SABBAGH -
37 and the copyright holder(s).
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39 Copyright © 2012 - MUSTAFA SABBAGH -
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29 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
30 Explicit Adult: This rating applies to graphic and explicit content (depicting nudity, sexuality, violence
31 in images and language) that is appropriate only for adults, and is not suitable for viewers under the age of 18 years old. It
32 is important to note that in speaking of adult material, it does not convey in any way that this content is considered obscene,
33 in the legal definition of the term.
34
35 All photographs appearing on the - mustafasabbagh.com - web site are copyrighted and protected under international copyright laws.
36 The images may not be reproduced in any form, stored, or manipulated without prior written permission from - MUSTAFA SABBAGH -
37 and the copyright holder(s).
38
39 Copyright © 2012 - MUSTAFA SABBAGH -
40 <a href="press@mustafasabbagh.com" title="info" target="_blank">press@mustafasabbagh.com</a>
41
42 TAX CODE 012 310 803 81
43
44 <a href="cookie policy" title="info">cookie policy</a>
45
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47 </html>
48
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